In the second series we saw the aftermath of Beverly's one-night stand with Matt. Her marriage was over and Matt's friendship with Sean was beyond repair but all were forced to work together as their sitcom, Pucks, was about to premiere.

As the series progressed we were plunged deeper into the twisted world of making television and were given an insight into the hilarious and bitter-sweet portrait gallery of megalomaniac network executives, surgically-enhanced actresses, and naked stalkers. The final episode of series two saw all the skeletons come out of the closet as affairs were uncovered and true feelings revealed.

I'm delighted that the critically-acclaimed Episodes is returning for a third series to BBC Two. The last season ended with a thrilling finale and like the rest of the audience I can't wait to find out what happens next.

David Crane and Jeffrey Klarik are supremely-talented comedy writers and we're thrilled they'll be bringing their amazing cast back to the BBC for another series of Episodes.

The task of distilling the multiple, often chaotic strands of Kenny Everett's remarkable and eventful life into 90 minutes of drama felt like an ambitious one, right from the off. Luckily, the desire to see the project made generated endless enthusiasm in its key creative team – writer Tim Whitnall, and director James Strong, who was on board for much of the development process – as well as the consultants, who knew Kenny and advised on every detail of the production.

From the start of the development process, authenticity was always a central aim. It soon became clear that the script was likely to focus upon Kenny's relationship with Lee Middleton (now Lee Everett-Alkin) – to whom Kenny was married for almost a decade and a half. It was through the prism of this defining relationship that Tim Whitnall felt Kenny's story could best be told. The period of Kenny and Lee's relationship encompassed Kenny's rise to fame in the UK and his coming to terms with his sexuality – but also worked as an unconventional love story in its own right.

Together with her husband, John Alkin, Lee was the first consultant to come on board the project, to which she gave invaluable support and access to her archives – as well as notes on the accuracy of the script at each draft stage. Given the script dealt with the gradual breakdown of the marriage, as well as its many happier periods, Lee's involvement as a first-hand source was essential.

Lee met with Oliver Lansley and Katherine Kelly early in pre-production, sharing with both actors details and insights from her life with Kenny which could inform the events dealt with in the script.

Kenny's long-time manager and friend Jo Gurnett was the other major consultant on the project, advising and providing detail and perspective on the whole script, but especially on those elements which dealt with Kenny's professional life and his personal life outside of his marriage to Lee.

Barry Cryer - Kenny's colleague and co-writer on Kenny's television series for both Thames and the BBC – was also a script consultant, as was journalist David Lister, the author of Kenny's biography In The Best Possible Taste.

Kenny Everett was a genuine original: wild and unfocused maybe but also deliciously anarchic and always entertaining.

In many ways Kenny was a very modern celebrity, wearing his heart on his sleeve while coping with a complex life. Re-evaluating this talented and exuberant personality, enabling audiences to reconsider Kenny's undoubted impact and legacy, makes this a very BBC Four drama.

Wizards Vs Aliens is hugely exciting and has a feeling of total originality. It is full of vision and brilliance. The earthly realistic scenes are so heartfelt and moving, and they contrast vividly with the universal feel of the Nekross King and his subjects. I find the whole concept miraculous and I am thrilled to be part of such an exciting project.