Twice Upon A Time - Press ReactionBookmark and Share

Tuesday, 26 December 2017 - Reported by Marcus
Twice Upon a Time: Bill (Pearl Mackie), The First Doctor (David Bradley), The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway))Press reaction to the final Twelfth Doctor story Twice Upon A Time is in and generally positive.

The Guardian found much to admire in the story "There’s so much that is good about the episode. Good jokes – mainly about the First Doctor’s embarrassing un-PC old-fashioned attitudes (“Aren’t all ladies made of glass, in a way?”). I like the second world war spoiler too. “Yes, but what do you mean, [world war] one?” asks the Captain, not understanding the unthinkable. I like Twelve’s “over to you Mary Berry” to One, just because he’s old, I think. Anyway, it’s funny."

The Mirror felt the episode delivered. "It's an emotional rollercoaster to watch and the minute's whizz by so fast, too fast. I felt the ticking clock in my living room was ticking a little louder, counting down to the moment we had to say goodbye to Capaldi's Doctor. I'm so glad that the Powers That Be decided to bring Pearl Mackie's Bill back to the show for one more outing. In an episode that can't really escape from a looming theme of death, Bill brings not only a sense of fun but also heart to the episode."

However, The Telegraph wasn't impressed. "Heavy on stagy dialogue and light on action, the narrative got mired in its own mythology, too busy making knowingly nerdy references to construct a coherent adventure. Ultimately, even the hero admitted there wasn’t a villain."

The Daily Mail found the episode wretchedly dull. "We had to endure an age of Capaldi wringing his hands and begging humanity to ‘be kind’. David Bradley reprised the First Doctor, originally portrayed by William Hartnell in the Sixties. His chief role was to make scandalising remarks about the importance of having a woman about the place to do the dusting, and to look horrified when Bill Potts (Pearl Mackie) hinted she was a lesbian."

Radio Times felt the story was lacking substance but praised the nostalgia inherent in the story. "I get a little surge of joy that on Christmas Day 2017 the BBC1 audience will glimpse clips from 1966’s The Tenth Planet of William Hartnell and Michael Craze, both long dead, and my very alive pal Anneke Wills. The lamentable recast versions of companions Ben and Polly are kept mercifully brief, but in a coup of televisual magic a monochrome Hartnell transmogrifies into Bradley in HD colour. The first Doctor rematerialises right before our eyes."

The Independent praised the two lead actors. "Peter Capaldi, as ever, turns out an incredible performance as the Twelfth Doctor. In fact, you wouldn’t expect anything less given that his entire run as the Time Lord has been nothing short of magnificent. Unfortunately, given that this is his Doctor’s finale, David Bradley steals the show as the First Doctor. "

Digital Spy felt the episode delivered where it needed to, also praising David Bradley's portrayal of the First Doctor. "His performance really is spot on – a little spiky, pompous, yet warm and humane. Bradley puts his own stamp on the first Doctor, while remaining enough like his predecessor William Hartnell to soothe the Whovian hardcore. You're left hungry for more – for a story where Bradley's first Doctor is more than a distraction from the main event."

Den of Geek felt the acting plaudits belonged to one of the guest stars. "I can’t overstate just what superb work Mark Gatiss does too, as The Captain. Even before the moving revelation as to who his character really is comes out (maybe it’s Christmas, that that gave me a very warm punch), Gatiss’ quiet, diligent, matter-of-fact performance was tinged with a melancholy edge. Appreciating he had to do some of the ‘what are you talking about’ dialogue to the Doctors, I thought he played it superbly. Polite, baffled, and quietly curious."

AV Club felt the episode was a fitting tribute to the Twelfth Doctor. "This is a thoughtful, funny, incredibly moving episode about kindness, bravery, and the way small choices can make a huge impact. It allows Moffat to reflect on Doctor Who as an entire 54-year series while also serving as a more specific tribute to the 12th Doctor. And it gives Peter Capaldi a beautiful final showcase that demonstrates just how much he’s grown into the role since his rather ominous beginnings back in season eight."

Some felt the regeneration was too drawn out inculding IndieWire "The tradition of the Doctor pushing back against his regeneration is a recent one, and it makes for a prolonged and unnecessary goodbye. Regenerations are at their best when we’re tricked into forgetting they’re coming, like Eccleston’s magnificent and premature departure in 2005’s “The Parting of the Ways.” So having David Tennant, then Matt Smith and now Capaldi each deliver a drawn-out Christmas special swan song feels like three wasted episodes."

iNews praised the writing of Steven Moffat's last story. "The sharply-written interplay between both Doctors, in fact – and later Bill – was one of the joys of this episode. “Atmospheric? (It’s like) a restaurant for the French,” sneered Bradley’s First, gazing around the Twelfth’s hugely modified control room. “I thought I’d become… younger,” the earlier incarnation mused, gazing worriedly at his older self."

Finally Inverse found the episode a fitting final appearance for the twelfth Doctor. "“Kind” is the defining word for the 12th Doctor. It’s what moves him at the Christmas Armistice in Ypres, and it’s part of his final advice to his next self. That the incarnation who began his existence so prickly and aloof would end it as the champion of kindness speaks to just how much this Doctor grew and developed over this three seasons."

The Doctor Who News review can be found on our reviews site.

Twice Upon A Time - New Image and SynopsisBookmark and Share

Tuesday, 28 November 2017 - Reported by Marcus
Twice Upon A Time - The Doctor Who Christmas Special (Credit: BBC)

The BBC has issued a new image and the synopsis for this year's Christmas special, Twice Upon A Time.

Twice Upon A Time - The Doctor Who Christmas Special - 1x60’, BBC One

The magical final chapter of the Twelfth Doctor’s (Peter Capaldi) journey sees the Time Lord team up with his former self, the first ever Doctor (David Bradley - Harry Potter, Game of Thrones) and a returning Bill Potts (Pearl Mackie), for one last adventure.

Two Doctors stranded in an Arctic snowscape, refusing to face regeneration. Enchanted glass people, stealing their victims from frozen time. And a World War One captain destined to die on the battlefield, but taken from the trenches to play his part in the Doctor's story.

An uplifting new tale about the power of hope in humanity’s darkest hours, Twice Upon A Time marks the end of an era. But as the Doctor must face his past to decide his future, his journey is only just beginning...
Twice Upon A Time is written by Steven Moffat, directed by Rachel Talalay, and executive produced by Brian Minchin. The 60 minute special guest stars Mark Gatiss as The Captain and Nikki Amuka-Bird as the voice of the glass woman, and will see Peter Capaldi’s Doctor regenerate into the Thirteenth Doctor (Jodie Whittaker).

The episode is due to be shown in the UK on BBC One on Christmas Day, followed by broadcasts around the world.

New TARDIS team announcedBookmark and Share

Sunday, 22 October 2017 - Reported by Chuck Foster
Meet the new TARDIS crew - Mandip Gill, Bradley Walsh, Jodie Whittaker, Tosin Cole (Credit: BBC) The BBC have revealed details of the regular cast who will feature in the next series of Doctor Who, due to be broadcast in the Autumn next year.

When Jodie Whittaker takes over as the Thirteenth Doctor she will be joined by three regular cast members, consisting of Bradley Walsh as Graham, Tosin Cole as Ryan, and Mandip Gill as Yasmin. Also joining the series in a returning role is Sharon D Clarke.

The new series will consist of a ten-week run of fifty-minute episodes, due for transmission in Autumn 2018, and kicking off with a feature-length hour for the opening launch.

New showrunner Chris Chibnall says:
The new Doctor is going to need new friends. We’re thrilled to welcome Mandip, Tosin and Bradley to the Doctor Who family. They’re three of Britain’s brightest talents and we can’t wait to see them dive into brand new adventures with Jodie’s Doctor. Alongside them, we’re delighted that Sharon D Clarke is also joining the show.
Jodie Whittaker added
I am so excited to share this huge adventure with Mandip, Tosin and Bradley. It's a dream team!
Bradley Walsh is best known in the UK for his appearances in the soap opera Coronation Street and for playing lead role of DS Ronnie Brooks in Law & Order: UK ; he also appeared in the spin-off series The Sarah Jane Adventures playing Odd Bob/Spellman in Day of the Clown. He currently hosts the ITV game shows The Chase and Cash Trapped. Walsh said:
I remember watching William Hartnell as the first Doctor. Black and white made it very scary for a youngster like myself. I was petrified but even though I’d watch most of it from behind the sofa through my fingers, I became a fan. I then queued up for ages to get into the Carlton picture house in Watford to watch the great Peter Cushing appear as the Doctor in a full-length feature film made in glorious colour. Am I thrilled to be part of this whole ground breaking new dawn for the Doctor?? Oh yes!
Mandip Gill is known for playing Phoebe Jackson in the soap opera Hollyoaks, as well as appearances in Cuckoo, Doctors, The Good Karma Hospital and Casualty. She said
I am over the moon to be joining the Doctor Who family. This is an iconic show with an amazing fanbase and I look forward to everything that brings. Certain roles seem unattainable and this is one of those, so much so I didn't believe it to be true for the first few weeks. To be working alongside the likes of Jodie, Bradley and my old friend Tosin is thrilling. This show is worlds away from the work I've done previously and that's the part that excites me the most.
Also joining the team is Tosin Cole, known for his roles in The Cut, EastEnders: E20 and Hollyoaks. He said
I'm grateful and excited to be a part of this journey with the team. I'm looking forward to jumping in this Doctor Who universe.
Matt Strevens, Executive Producer, BBC Studios says:
I am thrilled to welcome Bradley, Mandip and Tosin to the new Who family. Working with three such talented actors is going to be a lot of fun. The Doctor is in fine company.
Piers Wenger, Controller of BBC Drama says
The casting of Mandip, Tosin and Bradley is a mark of the new creative ambition Chris is bringing to Doctor Who. He's already made history with the casting of Jodie. These three new characters complete a new and utterly unmissable team aboard the Tardis.
Sarah Barnet, President of BBC America, added:
Doctor Who fans in America are in for an exhilarating ride as the Thirteenth Doctor and her new friends begin a quite amazing new chapter.

The Doctor Falls - ReactionBookmark and Share

Sunday, 2 July 2017 - Reported by Marcus
The Doctor Falls : The Master (John Simm), Missy (Michelle Gomez), The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway/Ray Burmiston))This item contains spoilers from The Doctor Falls

Reaction to this year's Doctor Who finale, The Doctor Falls is overwhelmingly positive with most reviewers finding it a fitting end to the series.

A heartbreaking spectacular is how Digital Spy regarded the episode, singling out Peter Capaldi for praise "His "Where I stand is where I fall" speech is quite possibly the actor's finest moment on the series to date. With the Doctor, almost in tears, arguing why he always has to stand to fight, it just about pips even the famous anti-war rant from 'The Zygon Inversion'."

The Mirror felt the episode was an immensely satisfying conclusion with great storytelling and epic performances. "With all the teasers, build up and trailers it would have been so easy for The Doctor Falls to be a failure of a finale - but it really wasn’t. It was an immensely satisfying, packed, heart string tugging conclusion that comes together brilliantly for two simple reasons: clever storytelling and tremendous acting."

Radio Times also singled out the performances as one of the strong points about the episode. "Capaldi, Simm and Gomez are of course divine together. Peter Capaldi is magnificent as ever. This is truly his episode. His Doctor may fall but he stands tall among stiff competition. John Simm’s Master is an implacable bastard to the end but not the loon of seven years ago. Michelle Gomez is simply superb at the duplicity and the soul-searching and laughing at her own tragedy. Their dancing, flirting and backstabbing is to die for."

The the meeting of the two Masters and the Doctor is highlighted by The Guardian "I was overjoyed, on watching the confrontation between the three Timelords, that there was no soundtrack aside from the dialogue and some gentle birdsong. It was an example of less-is-more that I don’t think I’ve seen equalled in Doctor Who. As for that showdown, how else was it going to end? Two Masters stabbing themselves in the back (and front) was the perfect solution to evil coming up against itself"

The Telegraph also enjoyed the role of the two masters in the story "Together, Simm and the magnificent Michelle Gomez as Missy (who is a later version of the same rogue Time Lord) made a fantastic duo as they quibbled over whether to stand with the Doctor or continue their villainous ways"

IGN also enjoyed the dynamic between the two masters. "The way they’re sort of somewhere between brother-sister and boyfriend-girlfriend is suitably gross, and the Master’s presence and how it serves to draw Missy back to her old ways makes so much internal sense that Moffat doesn’t really even need to write it on the page"

Den of Geek paid tribute to Peter Capaldi's performance. "The majestic, wonderful, brilliant Peter Capaldi. If you needed a reminder of just how much he’s going to be missed when he finally departs Doctor Who at the end of the year, his outstanding work here was precisely that. When he was blasted, apparently mortally, and he kept holding off his regeneration , I found myself saying out loud “I don’t want you to go”."

AV Club called it s pitch perfect finale. "This is a Doctor who knows exactly who he is, played by an actor who knows exactly how he wants to play the part, facts that are ultimately absorbed into the narrative with the Doctor’s refusal to regenerate and turn into some new person. "

Vulture also paid tribute to the lead actor. "And then there’s Peter Capaldi. That speech! That grand speech he gives to the two Masters! If that doesn’t deserve to go viral, then I don’t know what does. That’s the speech we need for today, delivered with passion and vulnerability in the same episode that dares to name Donald Trump an inevitability. "

Slightly bucking the trend Ars Technica enjoyed the episode but felt it was a little cramped. "Plenty of action was squeezed into this hour of solid telly. But Moffat's decision to pack it so tightly, not only with the battle between Missy and the Master, but also with the onslaught of the Mondasian Cybermen, a heartbroken CyberBill (or RoboMop), and a small cast of country bumpkins living on a spaceship meant that the whole thing felt a little suffocating at times."

Finally Flickering Myth thought it was a fitting end to the series. "Everything about this final episode sums up everything that has been perfect about Series 10. Our main cast of Capaldi, Lucas and Mackie have been a fantastic trio within the four outer walls of the TARDIS. They’ve gelled exceptional well. Peter Capaldi is a magnificent Doctor, a person who captures the wisdom, madness, caring and frustration of a two-thousand year old Time Lord. Matt Lucas’ wit is spot on for the TARDIS, but when needed a look can make you wonder. And along with this we had the brilliant Pearl Mackie who is a blast of pure energy in the Companion line-up, with emotion, humour and humanity. All three have made Series 10 something wonderful to watch."

The Doctor Falls - Publicity PicturesBookmark and Share

Tuesday, 27 June 2017 - Reported by Marcus
The BBC have released a number of new publicity images to promote this week's episode of Doctor Who, The Doctor Falls
The Doctor Falls

Writer: Steven Moffat
Director: Rachel Talalay

The Mondasian Cybermen are on the rise. It’s time for the Doctor’s final battle…
The Doctor Falls : The Master (John Simm), Missy (Michelle Gomez), The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway/Ray Burmiston))The Doctor Falls : The Doctor (Peter Capaldi), The Master (John Simm), Missy (Michelle Gomez) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : Missy (Michelle Gomez), The Master (John Simm) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : Missy (Michelle Gomez), The Master (John Simm) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : Missy (Michelle Gomez), The Master (John Simm) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : The Master (John Simm), Missy (Michelle Gomez) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : The Master (John Simm), Missy (Michelle Gomez) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : The Doctor (Peter Capaldi), Mondasian Cyberman, The Master (John Simm) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : Mondasian Cyberman, The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : The Master (John Simm), Mondasian Cyberman, Missy (Michelle Gomez) (Credit: BBC/BBC Worldwide (Simon Ridgway))The Doctor Falls : The Doctor (Peter Capaldi), Missy (Michelle Gomez) (Credit: BBC/BBC Worldwide (Simon Ridgway))

This week BBC One will show Doctor Who at 6.30pm.

Main Broadcast Details
United KingdomBBC OneSat 1 Jul 20176:30pm BST
Middle EastBBC FirstSat 1 Jul 20179.20pm AST(Sat 7:20pm BST)
United States of AmericaBBC AmericaSat 1 Jul 20178.30pm EDT(Sun 1.30am BST)
CanadaSPACESat 1 Jul 20178:30pm EDT(Sun 1:30am BST)
New ZealandPRIMESun 2 Jul 20177:30pm NZST(Sun 8:30am BST)
FinlandYLE2Sun 2 Jul 201711.25pm EEST(Sun 9:55am BST)
AustraliaABCSun 2 Jul 20177:40pm AEST(Sun 10:40am BST, also on ABC ME)
BrazilSyFySun 2 Jul 20178:00pm BRT(Mon 12:00qm BST)
Latin AmericaSyFySun 2 Jul 201710:00pm CDT(Mon 4:00am BST)

Full listings here

World Enough and Time - ReactionBookmark and Share

Sunday, 25 June 2017 - Reported by Marcus
This item contains spoilers.

Reaction to this week's episode of Doctor Who: World Enough and Time, is overwhelmingly positive, with many reviewers describing it as the best episode for years, if one of the darkest.

The Telegraph called it a dizzying ride. "Doctor Wow, more like. This two-part finale marks showrunner Steven Moffat’s last regular episodes and he’d saved the best until second last. It was darkly thrilling, mountingly tense, genuinely scary and brimming with smart ideas – but stayed just the right side of over-clever, as Moffat is often criticised for being."

The Mirror was impressed with the way the Cybermen were used. "The true grit of World Enough And Time is the rise of the Cybermen and their creepy conversion hospital. It's as close to horror-film than Who has gone to in a long time. Anyone who wondered if the 60's low tech Cybermen could scare modern audiences needn't have worried. Bill awakening on a hospital bed with chest full of retro cyber-tech, rows of half converted patients screaming in pain, the show's own take on Nurse Ratchett silencing the victims' volume dial - it's chilling"

Macabre and riveting is how Radio Times described the story, also focusing on the return of the original Cybermen. "What horror, what disfigurement lurks beneath the knotted bandages of these proto-Cybermen? It really is clever how Steven Moffat embraces the perceived weaknesses of the original 1966 cloth-and-plastic design – scorned and abandoned after their only screen outing in The Tenth Planet – and makes them sting."

Digital Spy felt the number of plot points revealed in advance diminished the impact of the story. "You don't have to be a Doctor Who super-fan, trawling every spoiler thread on every message board, to know that the Mondasian Cybermen and John Simm's Master are in this episode – even if you somehow missed the news, they both appeared in last week's Next Time trailer. The former reveal isn't such a problem. The episode plays the arrival of the Mondasians more as dramatic irony, an open secret it's teasing throughout. It's more a chilling inevitability than a jaw-dropping twist. But Simm's return? That was clearly intended to be a secret."

TV Fanatic agreed "Oh, to live in a day without spoilers. Most of the time, I don't mind them so much, to be honest. But no two ways about it: Doctor Who Season 10 Episode 12 would have been perfect without all the spoilers. Two of the big reveals at the end of the episode -- the returns of the classic Mondasian Cybermen and John Simm as the Master -- were both spoiled by the BBC's own promotional material! How frustrating."

Den of Geek, while also bemoaning the number of spoilers released for publicity reasons, felt the episode was impressive. "I thought World Enough And Time was at several times quite superb. Director Rachel Talalay and Steven Moffat are clearly a potent creative combination, and the middle of the episode in particular, as Bill creeps through a hospital evoking memories of The Empty Child and Asylum Of The Daleks was tonally outstanding."

Games Radar enjoyed the episode but felt the pacing in the middle act was too slow. "The sections with Bill in the hospital and the pre-Cybermen converts are utterly fantastic in terms of pure sci-fi, with the scares bordering on unwatchable for young children but it’s just too slow and filled with exposition."

IGN enjoyed the exploration of the characters of the time lords in the story "Much is also done to explain the bond between Missy and the Doctor. It does make sense that the enormous life experience of Time Lords would lead to a connection between them that other species could never fathom. But that relationship will be tested during the climax of the episode -- and in next week’s finale, no doubt"

AV Club felt the story was bursting with ideas. "None more fascinating than a massive colony ship caught in different time zones because of the gravitational distortion of a black hole. There’s the mad conceit of having Missy pretend to be the Doctor, with Michelle Gomez pulling off the seemingly impossible by making a whole string of “Doctor Who” gags not utterly cringeworthy. There’s the horrific plight of those stuck at the decaying bottom of the ship, which gets closer than any family-friendly Doctor Who story ever has in understanding the true body horror the Cybermen represent."

Ars Technica felt it was a return to form for the series. "We're back on firm ground with World Enough and Time. It's a very strong episode that manages to weave an agreeable timey-wimey spaceship yarn into the climax of this season's gently brewing Missy story, complete with Cybermen. The big reveal doesn’t disappoint, either"

Finally, Flicking Myth thought the episode was one of the best. "You know when you’re watching a fantastic episode of Doctor Who when the credits roll up at the end and you’re convinced that forty-five minutes can’t have passed that quickly. World Enough and Time plays with your emotions from start to finish, from the opening moments where your jaw falls and is left-hanging, and to Missy owning the show ,and again we’re back to silence as we’re left in a state of true shock."

Doctor Who News Review can be found here.

The Eaters of Light - ReactionBookmark and Share

Sunday, 18 June 2017 - Reported by Marcus
The Eaters of Light: The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway))Press reaction to this week's Doctor Who, The Eaters of Light, is mixed, with most reviews calling it a solid, if flawed, episode.

Radio Times enjoyed the story calling the script beautifully written. "What’s often rewarding about Doctor Who is that – beyond rewrites, budget constraints, casting and performance – it allows an authorial voice to sing through. It happened for Munro in 1989’s Survival and does so again in The Eaters of Light. It’s a beautifully written script that feels at one with half-remembered Celtic myths."

Digital Spy agreed the story had a both a strong sense of place and a formidable grasp on character. "Some fantastic location work – many evocative shots of a moody, misty Scotland – helps bring Munro's script to life as she milks the 2nd-century setting for its worth. She finds both humour and pathos in the past, such as the Doctor's using a totally anachronistic bag of popcorn to frighten the natives, followed by Bill's horror at the shockingly low age of soldiers on the battlefront."

The Telegraph also appreciated the Direction. "Director Charles Palmer made full use of the sweeping Highland landscape, while the script had fun with the Scots theme, with references to the permanently damp weather and a fatal absence of sunlight being “death by Scotland”. By the end of the episode, Capaldi even wanted to stay."

The Mirror felt the story was safe filler material with some niggles. "The Light Eaters are visually glorious and using them sparingly helps build the tension for their screen appearances. This series of Doctor Who continues its tightrope act of exactly how gory can corpses get before the watershed and this is pretty gruesome. The bodies of the fallen soldiers and villagers are truly unpleasant, but more than enough to punctuate the danger for anyone who crosses the Eaters' path."

AV Club praised the script written by veteran Doctor Who writer Rona Munro "She skillfully mixes the political and the personal here: The Roman army is a weapon premised solely on overwhelming force, one that relies on taking hundreds of scared teenagers and siccing them on a bunch of peaceful farmers who are in the way. The empire is terrible and vast, but only in aggregate, and that reality makes the cowardice of the surviving soldiers all but inevitable."

Ars Technica felt the story was a good introduction to the series "There's a portal that has trapped a hungry beast between dimensions; the Doctor jigs his way through problem-solving while reminding Nardole and the audience that he's an old hand at this kind of thing and a classic Who story device features, sidekick Bill is separated from her time-travelling pals for much of the episode—leaving her to untangle yet more of the Time Lord's powers, such as the telepathic link from the TARDIS that auto-translates any language to English."

However Games Radar felt the threat in the story was confusing "Unfortunately the monsters are pretty badly explained; we know they eat light, but somehow being exposed to light in great amounts is their greatest weakness. They serve no other purpose than to be the baddies of the episode, and are (as usual) billed as a threat to the entire universe. No nuance, just lots of teeth and Medusa-y tentacles"

Den of Geek also felt the episode was missing something. "What The Eaters Of Light lacked for me was a sense of threat, a strong monster or force to push against. The creature we got was an impressive looking beast for the most part, the one who keeps popping through a portal when able and allowed to wreak havoc. But whereas there are moments in this run of Who that have really dug under the skin and been quite creepy, this time it felt like we got a decent enough creature, yet the sense of peril didn’t come across for me."

IGN praised the supporting cast "The supporting players of Romans and Scots are all pretty good and an improvement over many of the guest stars from earlier this year. Bill’s interplay with Lucius (Brian Vernel, who Star Wars fans might recognize from The Force Awakens) regarding his romantic intentions is pretty funny, and the pain of the girl Kar (Rebecca Benson), who has lost everything, rings true."

The Reel Bits felt the episode was old school Doctor Who "The Eaters of Light’ is a solid if not outstanding historical adventure. Spinning its wheels slightly, it’s reminiscent of the show’s original ethos of being an educational outing for kids. Indeed, if the special effects and outfits hadn’t been updated, a episode that primarily hangs around in a handful of locations with Roman soldiers in stock BBC costumes would fit right in with the original series."

Finally TV Fanatic felt it was a solid episode. "There was plenty to enjoy here, from Nardole "blending in" with the natives to the Doctor's speech about crows being in a huff to Bill's realization about the TARDIS's translation feature. Though once the Doctor volunteered to guard the gate, every likely viewer knew that someone else would stand up and do the job in his stead. Seriously, there are two more episodes left in this season after this one!"

Empress Of Mars - ReactionBookmark and Share

Sunday, 11 June 2017 - Reported by Marcus
Empress of Mars: The Doctor (Peter Capaldi), Bill (Pearl Mackie), Friday (Richard Ashton) (Credit: BBC/BBC Worldwide (Simon Ridgway))Press reaction to this week's Doctor Who, Empress Of Mars, is generally favorable, with most reviewers enjoying the episode.

Radio Times appreciated a well-crafted story "Gatiss provides a cast of guest characters with more than a smidgeon of depth – hard to pull off in the 45min format and lacking this year. The Ice Warriors aren’t just stock monsters. They are, as they’ve always been, since Bernard Bresslaw played Varga in 1967, relatively complex beings; warriors that act with honour, strength and loyalty but open to reason and negotiation."

The Mirror felt it was a good story with a decent threat. "At the heart of the story is The Doctor trying to pull off a balancing act between reckless humans and an alien race. Yes, it’s been done before with stories like Silurian two parter Hungry Earth/Cold Blood but here The Doctor is placed more on the side of the resident Martians. It is, after all, their planet the humans are bumbling around on. It's almost as if Doctor Who met the film Zulu on Mars."

The Telegraph enjoyed the realisation of the Ice Warriors. "The biggest new addition, though, was the queen of the species and titular Empress Iraxxa (played with over-the-top relish by Adele Lynch). It’s been a week of female leaders hogging the headlines but at least Iraxxa didn't try to consolidate her icy power by calling a cold snap election. "

IGN also liked the look of the Ice Warriors. "The fact that the episode fully embraces the plastic lizard look of the aliens’ exoskeletons brings a certain nostalgic air to this segment which tracks nicely with the overall feel of the one-shot story. At the same time, there are some modern sensibilities pushing through here if you care to take notice, as when the Empress asks to speak to fellow gal Bill because they’re “surrounded by noisy males.” She has a point."

Digital Spy felt the Ice Warriors worked but had doubts about the human element of the story. "It's a wonderful set-up – Redcoats on the Red Planet, going up against green Martians. A strong visual, and so delightfully Doctor Who. Unfortunately, Gatiss has got a little carried away. His passion for the period, or rather films like Zulu that evoked it, is a double-edged sword. He's clearly working hard to replicate that Bank Holiday Monday movie feel, and while that enthusiasm is infectious, an unfortunate side effect is that the stiff-upper-lipped British soldiers are all a bit… well, stiff."

AV Club felt the episode had interesting ideas which didn't quite come together. "Some of the problem could be that one theoretical strength of the episode cancels the other out. The stated dilemma of the Doctor being forced to side with the aliens against the invading humans isn’t really compelling if the latter present no threat, and a bunch of 19th century soldiers aren’t about to pose much danger to a bunch of cybernetic reptiles. "

Den of Geek paid tribute to the supporting cast. "It’s hard in a 45 minute episode to make a supporting guest character really strike home, but credit to Gatiss and Anthony Calf for making Godsacre stand out. A man who was supposed to have been killed for an earlier act of cowardice, coming to terms with his desertion, and ultimately making amends. A little arc that just gave the episode an extra something."

Ars Technica felt the story was a great improvement on the Mok's trilogy. "I do think this is one of Gatiss' more successful scripts, mostly because his love for the Ice Warriors shines through. The nerdy attention to detail on these Martians' motivations makes the Monks look even more misplaced in the Doctor Who canon. It's also a lovely touch to have a cameo appearance from Galactic Federation Ambassador, Alpha Centauri, voiced by original actor Ysanne Churchman. "

Finally, Games Radar called the episode stoic and dependable. "As the episode descends into the predictable fight between humans and extraterrestrials, the fellow in charge, Godsacre (Anthony Calf), ends it with a shining performance. Throughout the episode he and his deputy Catchglove (Ferdinand Kingsley) have been convincing, patriotic soldiers without descending into pantomime accents, with Kingsley doing an excellent job at turning from a charming officer into a slimily-ambitious cad"

Link to Doctor Who News Review

The Lie of the Land - ReactionBookmark and Share

Sunday, 4 June 2017 - Reported by Marcus
The Lie Of The Land: Soldiers, People (Credit: BBC/BBC Worldwide (Simon Ridgway))Press reaction for this week's Doctor Who - The Lie of the Land is mixed, with a number of reviewers finding it the weakest story in the season so far.

The Mirror found the conclusion to the Monk trilogy confusing but praised the performances. "Thank Omega for Missy, because it's the only plot strand in The Lie Of The Land that makes any sense and moves us along.The always excellent Michelle Gomez is finally getting the chance to stretch her portrayal of Missy. Her game of hot and cold with her sparring partner, mentions of pushing a small girl into a volcano and piano interludes create a Silence Of The Lambs vibe that I could watch an entire episode of."

The Telegraph also praised the actors "Pearl Mackie put in another marvellous performance here: authentic but controlled, never histrionic, equally convincing whether she was threatening to “beat the s--t” out of Nardole or saying a fond farewell when she thought she was sacrificing herself. "

However Radio Times felt the episode to be misjudged in getting the companion to fire a gun at The Doctor. "It presents the Doctor, Bill and Nardole in a very poor light. It’s blocked awkwardly. The actors look uncomfortable. Moreover, it’s horribly misjudged to show Bill turning a gun on the Doctor and firing not once but four times. We’ve seen nothing that would push her to such an extreme act. It cannot be rationalised or condoned."

Digital Spy called the spisode a decent climax to a middling trilogy. "The Lie of the Land works hard to have its audience – like Bill and her compatriots – second-guess everything we see. Has the Doctor turned? Is Missy really trying to help?For the most part, its attempts at ambiguity are enjoyable. The Missy scenes are perfectly-pitched and while the Doctor's turncoat moment is unconvincing on a plot level, it's powerfully performed."

Den of Geek Enjoyed the first part of the episode, but felt thinks went downhill after the Doctor faked his regeneration. "This three-part story has been really successful at building up some huge stakes, and huge challenges, but less successful at satisfyingly resolving them. I can't shake the feeling that it's a slightly frustrating episode this, one that didn’t quite pay off for me. "

AV Club was also disappointed in the episode feeling the skills of the lead actors outpaced the quality of the script. "There’s Pearl Mackie, who comes damn close to making the whole thing work in spite of herself. There’s Peter Capaldi, who is as great as ever but whose talents are sometimes misused in service of ideas the story won’t commit to. And then there’s Michelle Gomez, who is reliably great as Missy. "

Ars Technica also disliked the script. "The narration and lack of action are jarring, and while the BBC producers behind Doctor Who are generally pretty good at this sci-fi on a shoestring budget thing, Lie of the Land really deserves a bit more investment—particularly in development of the script, penned by Toby Whithouse"

IGN bucked the trend by enjoying the story and its conclusion "The episode proves to be a pretty good one, satisfyingly wrapping up the overall story while also charting some new ground, providing more than a couple of thrills and head-fakes, commenting on current events in a not at all subdued way, and further advancing the vault/Missy storyline just enough to keep us on the hook."

While Games Radar again praised the performances. "Pearl Mackie has this uncanny ability to transition between emotions flawlessly, with each change so natural that you realise how you’d probably react in the same way. Her acting in the scene above with Capaldi perfectly matches how you’ll feel when you watch the scene, going from despair to anger at the Doctor’s hypocrisy."

Link to Doctor Who News Review

Extremis - Press ReactionBookmark and Share

Sunday, 21 May 2017 - Reported by Marcus
Extremis: Bill (Pearl Mackie), The Doctor (Peter Capaldi) (Credit: BBC/BBC Worldwide (Simon Ridgway))Ingenious, breath-taking television is how Radio Times described this weeks episode of Doctor Who, Extremis. "Once in a while a Doctor Who story comes along like no other you’ve seen before. One that keeps surprising, and amusing, and tantalising from start to finish. Extremis is one of those stories"

The Telegraph felt this week's monsters were suitably scary "In a classic case of keeping the monster unseen for as long as possible, we didn’t get to meet this story’s antagonists until past the episode’s halfway point. When we eventually did, they were suitably terrifying: clad in blood-red robes, with creepy claw-hands and zombie-esque faces which recalled The Mummy film franchise."

While The Mirror enjoyed the episode, it found the script to complicated. "The problem with Extremis isn’t in the watching of the episode. The problem with Extremis is afterwards, when you stop and think about the episode. Yes, I’ve got a case of Moffatitis"

Digital Spy agreed the plot was to difficult to follow. "This week's outing feels like a step backwards. Starting and ending in two totally different places, and leaving the audience baffled in between, It's anything but straightforward, going against the back-to-basics ethos that previous episodes have adhered to."

The script was not a problem for IGN, which enjoyed the complex nature of the story. "Moffat jumps around quite a bit with “Extremis,” aligning a variety of elements to get this first part of the story off the ground, but of course the return of Michelle Gomez as Missy -- and the revelation that, yes, it’s her in the vault -- is of particular note."

Den of Geek also enjoyed the story as a prelude to a multi-episode tale. "Extremis isn’t action-packed, isn’t jammed with effects, and doesn’t need extensive explanations. Its idea is in fact beautifully simple: it’s a dry run for something very big, and very nasty."

AV Club called the episode a great, experimental Doctor Who and in particular praised the lead actor. "Peter Capaldi is perilously close to becoming my unqualified pick for favorite Doctor, and the overriding reason is on display as he gently breaks it to Bill that neither of them nor anything else in this world is real. He underplays the moment, making small choices to signal both his compassion and his heartbreak."

Screen Rant admired the premise of the story, "The hour has fun with its exploration of the Truth and in slowly pulling the rug out from under both audience and character. The reveal that the Doctor, Bill, and Nardole are in a massive computer simulation meant to test possible outcomes for an imminent alien invasion gives Moffat the chance to deliver a handful of delightfully unnerving scenes, culminating with a mass suicide at CERN"

Finally Games Radar thought the Doctor Who deosn't get much better than this. "When you realise that nothing you’ve seen is ‘real’, you see how fooled you were from the very beginning like the Doctor, Bill, and Nardole. You see that the suicides, initially looking like a bit of cheap intrigue, were a clue all along. The book Veritas isn’t just a plot device used to introduce the monsters, it’s the key to the entire episode."

Reaction to OxygenBookmark and Share

Sunday, 14 May 2017 - Reported by Marcus
Oxygen: Nardole (Matt Lucas), The Doctor (Peter Capaldi), Bill (Pearl Mackie) (Credit: BBC/BBC Worldwide (Simon Ridgway))Press reaction to this week's Doctor Who episode Oxygen is in with most reviewers enjoying the episode.

The Telegraph called the story terrific and tense. "It was suitably scary, right from that eerie 2001-meets-Alien opening scene when shadows loomed up behind poor Ellie (Katie Brayben), before Ivan (Kieran Bew) saw her helmet slowly floating past. The lurching zombie army had a real sense of menace, claiming three victims on-camera, with genuine jeopardy for Bill. "

The Mirror called the story a claustrophobic treat "Writer Jamie Mathieson has proven his worth in the Whoniverse, with previous outings including Flatline and Mummy On The Orient Express. The sense of impending doom is notched up skillfully, from cutting off the TARDIS, leaving the leads no choice but to get into the 'death suits' and jaw-dropping moments where The Doctor leaves Bill to her apparent fate not once but twice."

Digital Spy felt the episode was bloody brilliant. "it's a story told with a great deal of wit and place, is stylishly produced, and does most everything you want Doctor Who to do on a Saturday evening. From the off, returning writer Jamie Mathieson displays a real talent for economical storytelling – with a strong, evocative opening that quickly establishes its two characters, their connection and why we should care about them, then follows up with a chilling execution."

Den of Geek also liked the story "I’d argue it was as good a standalone episode of Who as we’ve had this run. Given that there’s not been a duffer, that’s no small feat or backhanded compliment, either."

Radio Times felt the story was creepy but the premise absurd. "I struggle with the central conceit that in the future, in space, oxygen will be a commodity that you pay for dearly, even with your life. It lends a wry, more literal meaning to such everyday phrases as “Save your breath” and “You’re wasting your breath”. But I don’t really believe it. "

Ars Technica gave the episode a B- "Overall, Oxygen (written by Jamie Mathieson—whose previous credits include Flatline and The Girl Who Died) is another very good episode for series 10 of Doctor Who, with a dark foreboding that ought to remind the Doctor that fear makes companions of us all."

AV Club says the episode bites off way more than it can chew feeling the story should have been spread over two episodes. "Oxygen is at its best when it is straightforward, verging on over the top—the Doctor’s line about fighting an algorithm is great, as is the immediate follow-up about how they’re fighting the suits—but there are other, subtle critiques threaded throughout the episode that pass by so quickly they don’t quite register as part of a larger message."

Doctor Who Watch again praised Peter Capaldi's acting "I thought this episode let Capaldi shine in a way we haven’t seen before. In one of his most human moments, doing something for one of the most human consequences, he still does it, despite the risk. He plays throughout this episode in a light-hearted manner most of the time, but serious when he needs to be. This episode brought out the perfect balance between personalities."

IGN had a mixed response to the story "The episode itself is not one of Season 10’s strongest outings. There’s a lot of busy work involving the spacesuits which keep the Doctor and his pals alive, but what should be the most effective dramatic moments of the segment -- Bill’s “death” and the Doctor’s being struck blind -- don’t quite land."

Screen Rant likes this year's story arc. "Framing the Doctor’s yearning for adventure and freedom with his obligation to watch over the vault is a clever way of serving the needs of the season’s mysterious overarching storyline with the recurring theme of institutions operating in bad faith."

Finally, Games Radar thought Oxygen was marvelous praising Pearl Mackie's performance as Bill. "Seeing her scream for her mum when the Doctor leaves her behind is guttural and heart-wrenching. Pearl Mackie’s acting is consistently honest, raw at times, and never, ever whimsy." Link to Doctor Who News Review

Knock Knock - Overnight Viewing FiguresBookmark and Share

Sunday, 7 May 2017 - Reported by Marcus
Knock Knock The Landlord (DAVID SUCHET) (Credit: BBC/BBC Worldwide (Jon Hall))Doctor Who - Knock Knock had an overnight viewing audience of 4.32 million viewers, a share of 24.9% of the total TV audience, according to unofficial figures. Doctor Who increased its audience by half a million from the previous week.

Top for the day was once more the ITV variety show Britain's Got Talent with 9.35 million viewers. Doctor Who was top for BBC One for the evening, with Pointless Celebrities getting 4.20 million watching, while Casualty managed 4.02 million.

Knock Knock - New ImagesBookmark and Share

Tuesday, 2 May 2017 - Reported by Marcus
The BBC have released a number of new publicity images to promote this week's episode of Doctor Who, Knock Knock
Knock Knock

Writer: Mike Bartlett
Director: Bill Anderson

Bill is moving in with some friends and they’ve found the perfect house - so what if it’s strangely cheap to rent, and the landlord is a little creepy?
The wind blows, the floorboards creak, and the Doctor thinks something is very wrong. What lurks in the strange tower at the heart of the building - and why can’t they find any way to enter it?
Knock Knock (Credit: BBC)Knock Knock (Credit: BBC)Knock Knock The Doctor (PETER CAPALDI)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Bill (PEARL MACKIE)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Doctor (PETER CAPALDI)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Doctor (PETER CAPALDI), Bill (PEARL MACKIE)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Bill (PEARL MACKIE)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Tate Pitchie-Cooper as Young Landlord (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Landlord (DAVID SUCHET) (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Shireen (MANDEEP DHILLON), Bill (PEARL MACKIE), The Doctor (PETER CAPALDI), Paul (BEN PRESLEY)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Bart Suavek as Pavel (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Bart Suavek as Pavel (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Pavel (BART SUAVEK)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Landlord (DAVID SUCHET), The Doctor (PETER CAPALDI) (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Landlord (DAVID SUCHET)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Bill (PEARL MACKIE), The Landlord (DAVID SUCHET)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Doctor (PETER CAPALDI), Bill (PEARL MACKIE), The Landlord (DAVID SUCHET)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock The Landlord (DAVID SUCHET), Bill (PEARL MACKIE)  (Credit: BBC/BBC Worldwide (Simon Ridgway))Knock Knock Bill (PEARL MACKIE), The Doctor (PETER CAPALDI)  (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Peter Capaldi as The Doctor (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock The Landlord (DAVID SUCHET)  (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Bart Suavek as Pavel (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Colin Ryan as Harry (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Mandeep Dhillon as Shireen (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Alice Hewkin as Felicity (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock David Suchet as The Landlord (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock David Suchet as The Landlord (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Colin Ryan as Harry (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Ben Presley as Paul (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Bart Suavek as Pavel (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Ben Presley as Paul (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Mandeep Dhillon as Shireen (Credit: BBC/BBC Worldwide (Jon Hall))Knock Knock Alice Hewkin as Felicity (Credit: BBC/BBC Worldwide (Jon Hall))

BBC One continues to show Doctor Who at 7;20pm, with BBC First simulcasting the episode across the Middle-East

Thin Ice: Known Broadcast Details
United KingdomBBC OneSat 6 May 20177:20pm BST
Middle EastBBC FirstSat 6 May 20179:20pm AST(Sat 7:20pm BST)
United States of AmericaBBC AmericaSat 6 May 20179:00pm EDT(Sun 2:00am BST)
CanadaSPACESat 6 May 20179:00pm EDT(Sun 2:00am BST)
FinlandYLE2Sun 7 May 201711:00am EEST(Sun 9:00am BST)
AustraliaABCSun 7 May 20177:40pm AEST(Sun 10:40am BST, also on ABC ME)
BrazilSyFySun 7 May 20178:00pm BRT(Sun 11:00pm BST)
Latin AmericaSyFySun 7 May 201711:00pm CDT(Mon 4:00am BST)
New ZealandPRIMESun 7 May 20177:30pm NZST(Mon 8:30am BST)

Thin Ice - Press ReactionBookmark and Share

Sunday, 30 April 2017 - Reported by Marcus
Thin Ice (Credit: BBC/Jon Hall)Press reaction for Doctor Who - Thin Ice is in with most reviewers enjoying the spisode and the performances.

Radio Times praised the story for its multi-layered structure, exploring the hidden depths in the characters. "Sarah Dollard accomplishes this beautifully in Thin Ice. She wipes away a dusting of frost to give us a window into the Doctor’s soul and examines his moral code; the ideals he aspires to and the crimes and misdemeanors he’s prepared to indulge."

The Mirror enjoyed the period nature of the show. "Any time Doctor Who dips a toe into period drama it really goes for it. It delivers a grand scale for the Frost Fair, with an army of extras, wonderful costumes, and sets filled with small touches that all come together to create a visually engaging 45 minutes."

The Telegraph, while enjoying the story, was disappointed by the ending and the effects. "Last week’s story, “Smile”, was let down by a rushed ending. The denouement here was almost as disappointing. Sutcliffe tried to blow up the ice for a reason that wasn’t entirely clear. When the creature swam off down the Thames to freedom, its strange scale and unconvincing appearance resembled a Fifties monster movie."

The Nerdist praises the work of writer Sarah Dollard. "With Thin Ice, we get the sense that she’s been able to explore the topics that are important to her, worth talking about, and don’t pull any punches. From the tackling of racism and classism to the moral dilemma of the Doctor being surrounded by death at all times and even being complicit, it’s all right there, and it’s refreshing.".

The writing was also praised by Ars Technica "The first two episodes struggled to dance between the mostly-excellent teacher/student friendship and somewhat inconsistent sci-fi plot lines. Thin Ice, however, skates through with ease. Writer Sarah Dollard—whose debut episode, Face the Raven, "killed off" Clara last season—ably steers the whole thing through a (Moby Dick)ensian world."

Digital Spy called the episode a fun romp with hidden depths. "Not only is the scenery of 'Thin Ice' visually rich, with circus folk and an elephant milling about on a frozen river, but there's also something innately odd about it. In other words, it's the perfect backdrop for one of this show's twisted trips into the past."

While Den of Geek looked at the various elements in the story. "There’s a bubbling racial and slavery subtext to the episode, and just when you think it’s going to stay there, Sarah Dollard brings it furiously to the surface." looked at the relationship between The Doctor and the Companion. "Unlike more recent seasons of Doctor Who, this episode went out of its way to establish that the Last of the Time Lords himself feels like he works for the people of Earth. He calls Bill “boss” at the end of the episode and in a pivotal moment says “I serve at the pleasure of the human race.”

Screen Rant also investigated the impact of the new companion on the series. "Bill will be the first companion who is a product of Capaldi’s sometimes brusque but no less compassionate Doctor. As such, his actions at the beginning of their time together will forever shape Bill’s impression of the two-hearted alien moving forward, regardless the form he takes when it’s time to regenerate at the end of the season."

IGN looked at the structure of the story. "This third episode follows the pattern established by the previous two installments with a one-off adventure that feels in some ways like old-school Who. Here, as Bill wades deeper into the exciting insanity of the Doctor’s lifestyle, she also realizes that it’s not all fun and games and stealing pies. Ah yes, the life lessons of a companion."

AV Club admired the shift between serious and comic elements in the story. "Such sudden shifts between light and dark could undermine both aspects of the episode, but Dollard’s script is nimble enough to make keeping the audience off-balance into an asset. That can only work if the actors are confident enough in their performances to serve as an anchor for the various tones, and Capaldi and Mackie prove up to the challenge."

Finally Games Radar thinks this type of story is what Doctor Who was made for. "Unflinching storytelling at its finest, Thin Ice doesn’t shy away from the historical difficulties of taking a black companion to the 19th century. Pearl Mackie’s performance is fantastic from the get-go"

Our own review can be found in our Reviews section.