The Two Doctors on UKTVBookmark and Share

Friday, 21 June 2013 - Reported by Paul Scoones

UKTV

Sunday 23rd June sees the broadcast of the 1985 Colin Baker story, The Two Doctors on Australian and New Zealand television. The story is presented as part of the 50th Anniversary season of Doctor Who on the UKTV channel.

The story screens at 3:25pm in Australia, and 3:35pm in New Zealand. The latter country has an additional screening on Monday 24th June at 3:30am.
The Two Doctors (Credit: BBC)
The UKTV billing describes The Two Doctors as follows:
Time & time again, the Doctor has teamed up with himself to save lives. This time, he must save his past self in order to ensure his own existence in his present.
The Two Doctors was first broadcast in Australia in 1986. New Zealand did not get to see it until 1989. The story was originally screened in Britain as three 45-minute episodes, but was first broadcast in Australia and New Zealand in six parts. The UKTV transmission will feature the three-episode version of the story.

UKTV is showing stories throughout the year in the lead-up to the anniversary in November. The run of Sixth Doctor stories concludes next week with Revelation of the Daleks (30 June). Next month the focus shifts to Sylvester McCoy's Seventh Doctor, with the following stories scheduled: Paradise Towers (7 July); Remembrance of the Daleks (14 July); The Greatest Show in the Galaxy (21 July); The Curse of Fenric and Survival (both 28 July).

Up-and-coming broadcasts from both 20th and 21st Century series of Doctor Who can be found via UKTV's Doctor Who sections for Australia and New Zealand.





Doctor Who Adventures 323Bookmark and Share

Friday, 21 June 2013 - Reported by John Bowman
The new edition of Doctor Who Adventures has plenty of food for thought.

A Cyber cress head is the free gift with the magazine, which has also been creating prehistoric parasites out of fruit and is inviting readers to send in their own fruit monster designs.

Editor Natalie Barnes said:
We had so much fun creating our own edible monsters and I know our creative readers will love coming up with their own scary lookalikes. The Cyber cress head is the perfect way to upgrade boring sandwiches and add something mean and green to their meals!
Issue 323 of DWA is on sale until Tuesday 2nd July.




A Message from The DoctorBookmark and Share

Friday, 21 June 2013 - Reported by Marcus
Matt Smith has recorded a thank-you message to Doctor Who fans.

The actor is currently filming in Detroit for a feature film, How to Catch a Monster, directed by Ryan Gosling.





Doctor Who To Be Star Attraction At Radio Times ExhibitionBookmark and Share

Friday, 21 June 2013 - Reported by John Bowman
Doctor Who is to have its own special display at an exhibition marking the 90th anniversary of listings magazine Radio Times.

Cover Story: Radio Times At 90, to be held at the Museum of London from Friday 2nd August to Sunday 3rd November, will celebrate the history of the publication and reflect the story of broadcasting in Britain, showcasing some of its iconic covers from various programmes over the past nine decades.

It will be divided into sections covering various time frames, but as a nod to the 50th anniversary of Doctor Who and the fact that the programme has had such a lengthy relationship with the magazine - it was granted its first cover in February 1964 to publicise the start of the seven-part story Marco Polo - there will be a separate section for it that will feature covers as well as photographs from the Radio Times archive.

In addition, visitors can become cover stars themselves, posing alongside a life-size Dalek against a backdrop of Westminster Bridge to re-create the 2005 "Vote Dalek!" Radio Times cover, which promoted the episode Dalek and was voted most iconic cover of all time in the Great Cover Debate run by the Periodical Publishers Association (now called the Professional Publishers Association) in 2008. That particular cover is also currently in the running to be named Cover of the Century, with public voting open until Monday 30th September via the PPA website.

The free exhibition will take visitors from the BBC's first radio transmission to today's multi-channel offerings, through landmark broadcasts, archive clips, broadcast artefacts, and original Radio Times photography and artwork, including pieces by C R W Nevinson, John Gilroy, and influential British graphic designer Abram Games.

Radio Times editor Ben Preston said:
To flick through the covers of Radio Times over the past 90 years is to watch a popular history of Britain unfold: royal weddings, coronations, the outbreak of war and peace, moon landings, and even a victorious World Cup, household names created, and stars born - all have graced the cover of Radio Times.

No other magazine can rival Radio Times for showcasing the work of some of the nation's finest artists and photographers, creating unforgettable magazine covers that resonate today. In our 90th year, it is fantastic to work with the Museum of London to celebrate Radio Times' heritage and continued success.
Museum of London curator Jim Gledhill added:
The history of broadcasting in Britain has strong associations with London as the birthplace of the BBC. Radio Times has been an integral part of this history, so it is fitting that the Museum of London mark its 90th anniversary.
Sharon Ament, Museum of London director, stated:
Some of the most momentous moments from Radio Times' considerable canon will be on our walls. That's not only rather splendid but totally apt as this publication has been a large part of much of our culture for the past 90 years. With its roots in London there was a point when no sitting room was without this magazine. It was a weekly ritual to pore over its pages. I can't wait for the exhibition to open.
Radio Times, which was first published by the BBC in London on 28th September 1923 and is now published by Immediate Media Co, won the PPA's Consumer Magazine of the Year Award on Wednesday.




Charles And Camilla To Visit Doctor Who StudiosBookmark and Share

Thursday, 20 June 2013 - Reported by John Bowman
The Prince of Wales and the Duchess of Cornwall are to pay an official visit to the Doctor Who studios in Cardiff next month to mark the show's 50th anniversary.

It will form part of the royal couple's annual Wales Week, in which they tour the country to publicise its positive aspects.

Their diary shows that on Wednesday 3rd July they will be meeting cast and crew members of Doctor Who during a set visit to the Roath Lock studios.

A spokesman for Clarence House, which is their official residence in London, said:
The Prince and the Duchess always enjoy their annual visit to Wales and this year they are looking forward to a varied programme of engagements including everything from Dylan Thomas's Boat House to Doctor Who's TARDIS! Their Royal Highnesses are also keen to highlight the vital work being done across Wales by some of the charities they are involved with.
While they are at Roath Lock the couple will meet Matt Smith and Jenna-Louise Coleman, and will encounter some of the Doctor's enemies as well. It is not known as yet which production team members will be presented to Charles and Camilla.

This won't be the first official brush with the world of Doctor Who for the Duchess of Cornwall. While opening the West Wilts Show in Trowbridge in July 2009 she encountered a Dalek and TARDIS at a display dedicated to the programme.

Earlier this month, Coleman was presented to the Queen when the monarch officially opened the rebuilt Broadcasting House in London.




BBC Issues Statement Over Missing Episode RumoursBookmark and Share

Wednesday, 19 June 2013 - Reported by John Bowman


The escalation of internet speculation over the potential discovery/recovery of Doctor Who episodes currently missing from the BBC archive has led the corporation to issue a statement about it.

Philip Fleming, the Head of Communications, Brands, Content & Digital at BBC Worldwide, said:
There are always rumours and speculation about Doctor Who missing episodes being discovered. However, we cannot confirm any new finds.
He was responding to reports of a large number of episodes having been found in Africa.

Radio Times subsequently queried what exactly the BBC meant by saying that it could not confirm any new finds, to which a BBC spokeswoman said: "We can't confirm because it's not true as far as I'm aware." Pressed further about whether or not the BBC was in talks with people about episodes, she said: "I don’t think so", while to the question "So there are no episodes?" she responded: "Not as far as we know."

Following the discoveries of the Galaxy 4 episode Air Lock and The Underwater Menace episode 2 in 2011, hopes have been high in fandom that more missing episodes are out there. However, Doctor Who News will continue its policy of reporting only on official statements.

UPDATE - THURSDAY 20th JUNE: Following the BBC's response, a company that had featured in the rumours issued the following statement on Facebook today:

T.I.E.A. does not hold any missing episodes of the long-running Dr Who series. The original videotapes were wiped [and] subsequent film copies were either returned to the BBC [or] sent to landfill. Odd fragments have surfaced - two episodes on 16mm film - but that's it. The programmes in question, like many others, were destroyed as they had no further commercial value. They are not missing but destroyed. The end.

I am sorry if this upsets some people but these are the facts.

I have also become aware of the tracking of some of our clients' shipments. These are local cultural materials sent to us for migration to a modern format as the playback equipment in the country of origin no longer exists and as such is the best road to preserve international cultural heritage.

I will be making no more statements on this subject.

Philip Morris, Executive Director, T.I.E.A.
Reported by:
The Doctor Who News Team




BFI Seventh, Eighth, And Ninth Doctor Screenings UpdateBookmark and Share

Monday, 17 June 2013 - Reported by John Bowman
The special guests for the BFI's celebratory screening of Remembrance of the Daleks next month have been announced.

The sell-out event, part of the BFI's Doctor Who At 50 season, is being held on Saturday 27th July at BFI Southbank to mark the Seventh Doctor's era and will see Sylvester McCoy, Sophie Aldred, Ben Aaronovitch, Dick Mills, and Mike Tucker taking part in the question-and-answer panel.

The BFI is running a competition to win a pair of tickets to the screening, with a copy of the BFI book 100 Science Fiction Films - to be published on Friday 28th June - also going to the winner. Enter via this link. The contest closes on Friday 19th July. Terms and conditions apply.

August's event should have seen the Eighth Doctor's solo TV venture (so far) being shown on the big screen but instead the Ninth Doctor will be honoured that month, with a story screening and guest panel being held on Saturday 24th August.

BFI spokeswoman Liz Parkinson told Doctor Who News today:
Due to guest availability, we've moved our Eighth Doctor event to a little later in the year, so our Ninth Doctor event has been brought forward.
The date for the TV movie screening is yet to be announced, while the story to be shown from the Ninth Doctor's era, and the accompanying guests, will also be confirmed in due course.

Because of the overwhelming demand to attend the monthly screenings, a ballot system is being run to allocate tickets and priority booking for the Ninth Doctor event will take place, as previously, via the members' section.

BFI Champions can enter the ballot from Monday 1st July and members can enter from Tuesday 2nd July.

The ballot will close on Friday 5th July and be run over the weekend of 6th and 7th July, with all entrants to be notified on Monday 8th July if they have been successful or not. Any tickets reserved for Champions and members through the ballot will be held until 8.30pm on Friday 12th July, and any that are unclaimed by then will be released for public sale on Saturday 13th July.

Although all the screenings in the season so far have been immediate sell-outs, returns and stand-bys are a strong possibility, so if all else fails keep checking with the BFI!




Tennant wins EmmyBookmark and Share

Monday, 17 June 2013 - Reported by Marcus
David Tennant has won a daytime Emmy for his voice work on the Cartoon Network’s Star Wars: The Clone Wars series.

The Tenth Doctor was named Outstanding Performer in an Animated Program at a ceremony in Los Angeles for voicing Huyang, a droid who trains Jedi on how to build lightsabers.

Clone Wars supervising director Dave Filoni said Tennant’s work as the Doctor convinced him that the actor, himself a Star Wars geek, was perfect for Huyang:
I absolutely loved what David Tennant was doing on Doctor Who. There was such a quizzical nature to his character, a sense of whimsy, but he could still get very powerful emotion out of the character — a lot of intensity, a lot of anger — just an incredible display of range.
Thanks to Cameron




Big Finish: June ReleasesBookmark and Share

Saturday, 15 June 2013 - Reported by Chuck Foster
Big Finish have released details on the latest adventures for the Doctor and his companions in June ...

Prisoners of Fate (Credit: Big Finish)Prisoners of Fate (available to order)
Starring Peter Davison as The Doctor, Janet Fielding as Tegan, Mark Strickson as Turlough, and Sarah Sutton as Nyssa.

Twenty-five years ago, with Richter's Syndrome running rampant throughout the galaxy, the brilliant biochemist Nyssa, formerly of Traken, bade a painful farewell to her young family... and set off into the space, in search of a cure for this deadly disease.

She never returned.

Now, her grown-up son continues her work on the penal colony of Valderon, still desperate to make the breakthrough that eluded his presumed-dead mother.

So when the TARDIS lands on Valderon, bringing the Doctor, Tegan, Turlough and Nyssa to its fortress prison, the scene is set for a painful reunion... but not only for Nyssa. The Doctor's past is about to catch up with him too...


Prisoners of Fate ends the current trilogy of Fifth Doctor adventures with a twisty tale from the pen of Jonathan Morris as the Doctor, Tegan, Turlough and Nyssa are forced to confront head-on the consequences of Nyssa's travels in the TARDIS since Helheim, begun in Doctor Who: Cobwebs. The story guest stars Sarah Douglas (Superman, V) as Sibor and Alistair Mackenzie (Monarch of the Glen, Borgen) as Galen.

Producer David Richardson commented:
This story presents a huge dilemma for Nyssa, and there are no easy answers for the Doctor. Plus we get to meet something significant from the Doctorls past we never knew about before...
The Companion Chronicles: Council of War (Credit: Big Finish)Council of War (available to order)
Starring John Levene as Benton, with Sinead Keenan as Margery Phipps

At the Doctor's request, Sergeant Benton is investigating ghosts and missing people in Kettering, while undercover as a local councillor

And that's how he comes to meet Margery Phipps.

An alien incursion in the town hall leads them on a journey to a terrible future – where Margery discovers how she changed a world, and the life of a whole civilisation hangs in the balance...


Council of War, by Scarifyers creators Simon Barnard and Paul Morris, Sergeant Benton finds an undercover job taking on a life of its own when he gets involved in the life of Margery Phipps and the affairs of Kettering.

David:
Yes, John Levene has joined The Companion Chronicles. It's great to have him aboard – ably supported here by the brilliant Sinead Keenan (Nina from Being Human).
Fourth Doctor Adventures: The Dalek Contract (Credit: Big Finish)The Dalek Contract (available to order)
Starring Tom Baker as the Doctor, Mary Tamm as Romana, and John Leeson as K9

'These creatures have ravaged half the cosmos. They're experts at this kind of thing. Nothing can stand in their way.'

The Doctor and Romana find themselves in the Proxima System, where enigmatic Conglomerate CEO Cuthbert has been conducting his infamous 'experiment'. An experiment which might accidentally rip the universe apart.

Meanwhile, living conditions on Proxima Major have become harsh and hostile. Climate change has turned the landscape into a freezing wasteland and an alien power has condemned much of the population to life inside internment camps. For those still clinging to their freedom, the struggle for survival is now beyond desperate and outsiders such as the Doctor and Romana are only seen as a threat.

What is Cuthbert really up to in the Proxima System, and just how does he expect the dreaded Daleks to fit into his plan?


David:
A few firsts in this one. It's the first Romana's only meeting with the Daleks. It's K9's first fight against the Daleks (at least in a full cast medium). And it's also the return of David Warner as Cuthbert and Toby Hadoke as Mr Dorrick, as we head for a big season finale with high stakes...

Competition

This month's competition thanks to Big Finish is to win one of five copies of Council of War. To be in with a chance, please answer the following question:
John Levene has been long associated with the role of Benton, but name his only credited monstrous role and relevant story from the television series.
Send your answer to comp-council@doctorwhonews.net with the subject line "beneath the mask", along with your name, address, and where you saw the competition (the news website, twitter, facebook, etc.). Only one entry per postal address will be accepted. The competition is open worldwide, and the closing date is 30th June 2013.




The Mark of the Rani on UKTVBookmark and Share

Saturday, 15 June 2013 - Reported by Paul Scoones
UKTV
Sunday 16th June sees the broadcast of the 1985 Colin Baker story, The Mark of the Rani on Australian and New Zealand television. The story is presented as part of the 50th Anniversary season of Doctor Who on the UKTV channel.

The story screens at 4:20pm in both countries. New Zealand has an additional screening on Monday 17th June at 4:30am.
The Mark of the Rani
The UKTV billing describes The Mark of the Rani as follows:
In 19th century England, the Doctor finds himself facing two competing enemies: his old adversary, the Master, and the Rani, another Time Lord with a sinister plan.
The Mark of the Rani was first broadcast in Australia in 1986. New Zealand did not get to see it until 1989. The story was originally screened in Britain as two 45-minute episodes, but was first broadcast in Australia and New Zealand in four parts. UKTV will screen the two-episode version of the story.

UKTV is showing stories throughout the year in the lead-up to the anniversary in November. Colin Baker's sixth Doctor is the focus of the stories screened during June. Upcoming stories include The Two Doctors (23 June) and Revelation of the Daleks (30 June).

Up-and-coming broadcasts from both 20th and 21st Century series of Doctor Who can be found via UKTV's Doctor Who sections for Australia and New Zealand.





An Unearthly Series - The Origins of a TV LegendBookmark and Share

Friday, 14 June 2013 - Reported by Marcus
Who's That Girl?
The twelfth in our series of features telling the story of the creation of Doctor Who, and the people who made it happen.

The story so far: With Doctor Who having been initially conceived and formatted by Sydney Newman, Donald Wilson and CE Webber, along with other staff and writers in the BBC's script department, work on actually getting the series made is now under way. Although some scripts are in development, none of the main characters has yet been cast, and by June 1963 the programme does not even have a producer in place . . .

In the early summer of 1963, the day-to-day management of Doctor Who was in the hands of producer-director Rex Tucker. It was never envisaged that Tucker would be the producer of the series in the long term, but it was at the time planned that he would be the chief director on the programme, to helm the first serial and then several others across the proposed 52-week run.

Tucker's temporary position as producer of Doctor Who, in addition to his directorial duties, reflected something of a state of change in the way BBC dramas were being produced at the time. In the 1950s, it was common for a single producer-director to have overall practical and artistic control over a production, and Tucker himself had a great deal of experience in this producer-director role on a number of children's serials and adaptations of classic literature.

By the early 1960s, and in tandem with Newman's arrival as Head of Drama Group at the BBC, the system was changing for drama series and serials. The main regular members of a production team would be the producer and story editor, with directors being appointed on an ad hoc, serial-by-serial or episode-by-episode basis, much like the writers. But despite the knowledge that he would not be the full-time producer of the series, Tucker took full charge of all areas of production for the fledgling Doctor Who in May and early June 1963 – including ideas of casting.

Tucker was friends with an actor called Hugh David, a 37-year-old Welshman who had recently come to public attention as one of the stars of a Granada Television crime-drama series called Knight Errant Limited. Although David was younger than the "frail old man" envisaged by Newman, Wilson and Webber, at some point by early June 1963 Tucker had offered him the role of the Doctor – quite possibly the first actor ever to be asked to play the part.

David, however, had been uncomfortable with the public recognition that starring as Stephen Drummond in Knight Errant Limited had brought him, and he was reluctant to now become the star of another programme, so turned down Tucker's offer. He eventually decided to wind down his acting career not long after this, and made a move behind the cameras, working as a director. In this capacity, he would go on to direct two Doctor Who stories later in the 1960s, during the Patrick Troughton era – The Highlanders and Fury From the Deep. In later years, David would go on to make the claim that it had been Tucker who came up with the title Doctor Who, although there is no documentary evidence for this, and it is not a claim that Tucker ever made himself.

Despite Tucker's offer to his friend, it is doubtful that David would have ended up playing the Doctor even if he had been keen on the role. Not long after the offer had been made, Doctor Who finally had a full-time producer assigned to take charge of the series, someone who would later state that David would have been too young for the part.

But this producer had not been the first choice for the job.

When Newman was attempting to find a producer for Doctor Who, his first port of call was 26-year-old director Don Taylor, to whom he offered the job at an unknown point, probably in May or June 1963. This offer was something of an olive branch from Newman, as Taylor was a somewhat higher-brow and more classically-cultured figure than the Canadian, and he was horrified by the idea of such an unashamed populist being in charge of the BBC's drama output. In his memoir Days of Vision, published in 1990, Taylor wrote scathingly of Newman, saying that:

To put it brutally, I was deeply offended that the premier position in television drama, at a time when it really was the National Theatre of the Air, had been given to a man whose values were entirely commercial, and who had no more than a layman's knowledge of the English theatrical tradition, let alone the drama of Europe and the wider world.

Taylor was best-known for working on sophisticated single plays for adult viewers, particularly for his work directing the plays of David Mercer. Newman's Doctor Who offer held no interest for him, and he turned the producer's job down flat. Later in 1963 he resigned from the staff of the BBC in despair at the changes being wrought under Newman, particularly the abolition of the old producer-director system, and he would later claim to have been blacklisted from working for the drama department as a freelance director. Speaking to Doctor Who Magazine in 1993, however, Taylor had a more conciliatory attitude towards Newman and his offer:

He had this marvellous idea for a new series, that would be right up my street, really intellectual stuff, and he would like me to take charge of it, launch it, let it be my project. I've often wondered what might have happened if I'd taken him at his word... There, as they say, was a chance missed.

Newman next turned to someone who would perhaps have been rather a better fit for Doctor Who – 43-year-old producer-director Shaun Sutton. Sutton had formed a particular reputation for his work on children's serials in the 1950s, and unlike Taylor he had great respect and admiration for Newman. However, like Taylor, he also turned down Newman's offer to become Doctor Who's first producer. This was because he was keen to move on from children's drama and was interested in tackling more adult fare – he had already worked as a director on episodes of the police drama Z-Cars since that series had begun in 1962.

Sutton did, however, later go on to become involved in the production of Doctor Who. In 1966 he became the Head of Serials in the drama department, in which role he was effectively the show's executive producer. He gave approval for William Hartnell to be replaced, and was involved in the decision to cast Troughton as the Second Doctor. He later succeeded Newman as overall Head of Drama at the BBC, a role he went on to occupy until 1981 – longer than anyone else either before or since.

With both Taylor and Sutton having rejected the chance to take charge of the series, and a full-time producer badly needing to be appointed, Newman's thoughts turned back to his time in commercial television, at ABC. While working at the ITV contractor, he had been impressed by the verve and the vigour of a young production assistant in the drama department named Verity Lambert. With nobody else seeming to want to produce Doctor Who, Newman decided to take a chance and offer her the opportunity to follow him to the BBC and become the producer of the new series.

Born in London in November 1935, Lambert had been educated at Roedean School, near Brighton, and at the Sorbonne in Paris. She entered the television industry in 1956, working as a secretary at Granada Television, before moving to ABC Television a few months later. She was initially the secretary for the company's Head of Drama prior to Newman, Dennis Vance, before moving on to become a production secretary and then a production assistant. It was in this latter capacity that she had worked with Newman on dramas such as Armchair Theatre, and she had displayed the capable, positive attitude that had so impressed him. As he later told Doctor Who Magazine:

I remembered Verity as being bright and, to use the phrase, full of piss and vinegar! She was gutsy and she used to fight and argue with me, even though she was not at a very high level as a production assistant.

In 1961, Lambert had taken a break from ABC to work for a year as the personal assistant to noted American television producer David Susskind in New York. She returned to the UK in 1962, determined to become either a producer or a director, but no opportunities for promotion were forthcoming, and she remained as a production assistant at ABC.

Frustrated at this lack of opportunity, she had considered giving up television as a career entirely, until the offer from Newman to come to the BBC and finally earn the promotion she wanted. While she freely admitted to Newman that she knew nothing about children, he remained convinced that she was the right person for the job. If there were misgivings among any of Newman's fellow executives at the Corporation, these were perhaps allayed at least a little by the fact that the previous month the highly-experienced Mervyn Pinfield had been appointed as associate producer of Doctor Who, to advise particularly on technical matters (see previous episode). Tucker would also still be around as the principal director for the series – although this state of affairs would not last for very long after Lambert's appointment, as the pair of them disagreed over many aspects of the programme.

But that was all to come. By Friday 14th June 1963 - exactly 50 years ago today - the 27-year-old Lambert had arrived at her new office in Room 5014 at BBC Television Centre as the Corporation's youngest – and only female – drama producer. One of the first people sent to see her was a young Indian director called Waris Hussein, who around this time had been assigned to direct episodes of Doctor Who. Lambert and Hussein got on well at once, with the pair happy to admit to each other that neither of them knew quite what they had let themselves in for.

Next EpisodeDoctor Who Hassle
SOURCES: The Handbook: The First Doctor – The William Hartnell Years: 1963-1966, David J Howe, Mark Stammers, Stephen James Walker (Doctor Who Books, 1994); Days of Vision, Don Taylor (Methuen Publishing, 1990); Doctor Who Magazine – issues 207, 260, 391.
Compiled by:
Paul Hayes





Guests Announced For BFI's Two Doctors ScreeningBookmark and Share

Thursday, 13 June 2013 - Reported by John Bowman
Actors Frazer Hines and Tony Selby plus script editor and writer Eric Saward and visual effects designer Mike Kelt will be the special guests at the BFI screening of The Two Doctors.

The event, which takes place on Saturday 15th June to mark the Sixth Doctor's era, is the latest in the organisation's Doctor Who At 50 season and will start at 2pm.

The screenings have proved overwhelmingly popular, selling out as soon as tickets have been made available, although the BFI has introduced a ballot system to help make ticket allocation fairer.

Returns are always a possibility, though. As such, at the time of posting this news item four tickets were available via the event link. Stand-bys and other returns may also be available on the day.




Big Finish's licence renewed to cover 2016Bookmark and Share

Monday, 10 June 2013 - Reported by Chuck Foster
Big Finish have announced that their licence to make Doctor Who audio adventures has been extended to December 2016.

Executive producer Jason Haigh-Ellery said:
It’s an absolute privilege to be entrusted with making audio adventures for Doctor Who for at least another three years, and it’s wonderful that we will be able to continue our excellent working relationships with our friends and colleagues at AudioGO and Cardiff.

Fellow executive producer Nicholas Briggs observed:
This year will mark my seventh anniversary as executive producer at Big Finish. For me, it's a clear indication of how much fun I've been having with the work and the people I'm privileged to work with that I am looking forward to the possibilities opening up with this latest extension of our licence so much. And by that time, I'll have been in the role for ten years! Bring it on, I say. We have a great relationship with AudioGo and there will be exciting developments ahead.

Line producer David Richardson added:
We have so many more tales to tell with the first eight Doctors and their companions. We can promise that 2016 will see more of your favourite ranges – plus maybe a brand new range or two that will surprise and delight. Certainly, as a team, we could not be happier that we will continue to be able to make our Doctor Who dreams a reality.




France Will Be First To See Docudrama TARDIS ConsoleBookmark and Share

Sunday, 9 June 2013 - Reported by John Bowman
The First Doctor's TARDIS console built for An Adventure In Space And Time - the forthcoming drama about Doctor Who's genesis - is to get its first public display at next month's Comic Con in Paris, the BBC announced today.

Writer Mark Gatiss will also be at the event, where he will take part in a panel session and will be signing autographs. In addition, clips from Doctor Who episodes Gatiss has written for and appeared in will be shown.

Other Doctor Who attractions at the Comic Con - the fifth to be held in France - will be a screening of Revenge of the Cybermen in French as well as a gallery display marking 50 years of the show.

After appearing at the French Comic Con, which runs from 4th to 7th July and is being held at the Paris-Nord Villepinte Exhibition Centre, the console will be installed at the Doctor Who Experience in Cardiff for the duration of the summer.

The 90-minute drama is due to be broadcast on BBC Two later this year, following a première at the BFI in London.